Edward Gein was a taxidermist and
furniture designer from Wisconsin. Living on his family farm and selling his
handmade furniture at local Flee Markets, Gein didn’t receive notoriety until
1951, though not as an Artist or Craftsman. It was discovered that the medium
he used to create his works was human remains. His first efforts were from
corpses he removed from his home town’s cemetery, much in the same way as
Frankenstein, but in time he killed several women from the town. His last victim
was found hanging in a room in his house. In addition to his furniture, Gein
also created leather clothing. When he was arrested he was wearing a belt made
of the nipples of his victims.
He never talked about his
motivations, but it has been speculated that Gein chose women as his victims because
he was projecting anger with his mother onto other women who may have either
reminded him of her, or that had in their own way crossed him and he was unable
to suppurate the two, thereby being pushed over the edge and lead to violence
toward them. This escalated to murder. It is also surmised that the reason he
chose to make his creations from the remains of his victims was as a way of
disposing of their bodies, or as a way of objectifying them, lessoning a possible
feelings of guilt after the fact.
Many aspects of Gein’s may seem cliché,
but in reality the cliché is based on his case. The resulting investigation,
press releases, and trial lead to the creation of the horror/slasher genre and directly inspired three infamous
characters: Norman Bates (a taxidermist with mother issues), Leather face (a
serial killer who lived on a farm who butchered and wore his victims), and
Buffalo Bill (a serial killer who preyed on women and made their skin into a costume).
There aren’t any pictures of Gein’s work available online, but here are two
examples that are credited to being replicas of his work.
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